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They Can't Kill Us Until They Kill Us, by Hanif Abdurraqib
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Review
"The Ohio poet/critic digs deep into what it means to be American in our moment ― and how much music has to do with it."―Rolling Stone, The Best Music Books of 2018"Rhythmic repetition makes for roaring passages that beg to be read aloud, but for all his poetic muscularity, Abdurraqib understands the value of linguistic economy."―The Washington Post"Abdurraqib writes about the music he holds dear, and the experiences which have embedded this music in his life, with such lyricism that the writing nears music itself―and his love of the subject is palpable."―Buzzfeed, Best Nonfiction Books Of 2017"Abdurraqib explores America through its popular culture."―Vol. 1 Brooklyn, 2017 Favorites"With a voice that rings clear off the page, Abdurraqib is an accomplished wordsmith, whose reflections on pop culture are intensely personal, political and utterly compelling."―CBC (Canada)"Abdurraqib will make you think critically about music and the culture it influences, and his thoughts will stay with you long after you’ve tunneled through... his wonderful book."―Stereogum, Recommended Reading 2017"Poignant and important. Abdurraqib offers a perspective that connects music, art, and memory, with the political realities of our time."―Esquire, Best Books of 2017“Establishes Abdurraqib as a major rock critic―polished and deft and original in a searchingly unpolished way."―Robert Christgau, Barnes and Noble Review"Funny, painful, precise, desperate, and loving throughout. Not a day has sounded the same since I read him." ―Greil Marcus, Village Voice"Essential, gripping reading."―Tobias Carroll, Pitchfork"A much-needed collection for our time. [Abdurraqib] has proven to be one of the most essential voices of his generation.â€â€•Juan Vidal, NPR"A collection of death-defying protest songs for the Black Lives Matter era."―Chicago Tribune, Best books of 2017"Challenging and lyrical, his writing delivers compelling observations in bite-sized pieces, allowing you to digest the deeper ramifications of his insights."―Paste, The 20 Best Nonfiction Books of 2017"It’s a little bit of comfort when you think about it, that... Abdurraqib has provided us with an essay collection that might help make some small sense of what’s going on."―Vol. 1 Brooklyn, 'Hanif Abdurraqib’s Great American Essay Collection'"Abdurraqib's poetic sentence makes me see fireworks in a new way. It ingeniously reverses their motion: Instead of tendrils of light exploding outward, overwriting the darkness, these fireworks gather the darkness into themselves. They are like teenagers stuffing their pockets with candy, ravenous for the night. Violent illuminations arriving, out of nowhere, to hoard the darkness. That would be something worth staring at."―New York Times Magazine, Sam Anderson, 'New Sentences' column"Abdurraqib unites familiar sounds with fresh observations about music and the state of contemporary America... essential, gripping reading."―Pitchfork, 16 Favorite Music Books of 2017"Abdurraqib places the reader in front of the performer and commands them to see beyond the music, to glimpse the societal impact of popular performers and indie heroes alike, and how they reflect the culture that bears them."―Pleiades Magazine"Abdurraqib’s essay collection on the convergence of identity politics, music, sports and culture feels important."―National Post, The Best Books of the Year (2017)"This tome stands as a bold statement for a great writer and a complete breath of life from a rare thinker."―New Noise Magazine"One of the stand-out essay collections of 2017."―The Los Angeles Review"Abdurraqib writes facing his people... and draws the rest of us to the circle’s edge with his discerning eye."―Columbus Dispatch"As powerful and touching as anything I’ve read this year, and Abdurraqib has emerged as the Ta-Nehisi Coates of popular culture." ―James Mann, The Big Takeover"A collection of death-defying protest songs for the Black Lives Matter era."―Walton Muyumba, Chicago Tribune"A penetrating and profoundly timely collection of essays. It is music writing at its sharpest, most perceptive, and most urgent... Most remarkable, perhaps, is Abdurraqib’s ability to perceive and define connections between his subjects, himself, and the fractured, complicated culture in which we live."―Foreword Reviews (starred)"Abdurraqib’s essay collection is mesmerizing and deeply perceptive... filled with honesty, providing the reader with the sensation of seeing the world through fresh eyes." ―Publishers Weekly (starred)"Highly recommended."―Library Journal (starred)"Abdurraqib writes with uninhibited curiosity and insight about music and its ties to culture and memory, life and death, on levels personal, political, and universal."―Booklist (starred)"A towering work full of insightful observations about everything from the legacy of Nina Simone to the music of Bruce Springsteen... a powerful work about art, society, and the perspective through which its author regards both."―Electric Literature"A joyful requiem―emphasis on joyful. Abdurraqib has written a guide for the living as well as a memorial for those we have lost."―Los Angeles Review of Books"Moving seamlessly from Fall Out Boy to Nina Simone, from Bruce Springsteen to the death of Mike Brown, Abdurraqib centers this masterful collection of essays not only around music and the way it’s shaped and carried him through life, but the tiny sparks that help us survive." ―Fanzine"Some of the most dynamic writing about music I’ve ever read. The way Abdurraqib ties the artists, concerts, and music culture he is covering into current events can make you care about music you have never even heard."―Robert Sindelar, Board President, American Booksellers Association (ABA)"These are essays about music, but also about culture, race, and life in America today." ―Book Riot, 20 Great Essay Collections from 2017"Read this, then listen back―you’re sure to hear something new." ―W Magazine"Erudite writing from an author struggling to find meaning through music."―Kirkus"Certain writers can take a pop song or musician as their subject and turn what they write into a stunning evocation of some aspect of society. That’s very much the case with Hanif Abdurraqib, and in this new collection he covers everything from the Columbus punk scene to Chance the Rapper, coming up with stunning observations along the way."―Vol. 1 Brooklyn"Uses [seemingly random moments] to try and explore some of the most difficult questions about race, violence, and prejudice facing Americans, specifically Americans of color, today." ―Bustle"Hanif Abdurraqib's music writing possesses a singular, impossible magic―he cracks open the very personal nature of fandom with empathy and skepticism in equal measure." ―Jessica Hopper"Abdurraqib bridges the bravado and bling of praise with the blood and tears of elegy."―Terrance Hayes
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About the Author
Hanif Abdurraqib is a poet, essayist, and cultural critic from Columbus, Ohio. His poetry has been published in Muzzle, Vinyl, PEN American, and various other journals. His essays and music criticism have been published in The FADER, Pitchfork, The New Yorker, and The New York Times. His first full length poetry collection, The Crown Ain't Worth Much, was released in June 2016 from Button Poetry. It was named a finalist for the Eric Hoffer Book Prize, and was nominated for a Hurston-Wright Legacy Award. With Big Lucks, he released a limited edition chapbook, Vintage Sadness, in summer 2017. His first collection of essays, They Can't Kill Us Until They Kill Us, was released in winter 2017 by Two Dollar Radio and was named a book of the year by Buzzfeed, Esquire, NPR, Oprah Magazine, Paste, CBC, The Los Angeles Review, Pitchfork, and The Chicago Tribune, among others. He is a Callaloo Creative Writing Fellow, an interviewer at Union Station Magazine, and a poetry editor at Muzzle Magazine. He is a member of the poetry collective Echo Hotel with poet/essayist Eve Ewing.His next books are Go Ahead In The Rain, a biography of A Tribe Called Quest due out in 2019 by University of Texas Press, and They Don't Dance No' Mo', due out in 2020 by Random House.
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Product details
Paperback: 236 pages
Publisher: Two Dollar Radio (November 7, 2017)
Language: English
ISBN-10: 1937512657
ISBN-13: 978-1937512651
Product Dimensions:
5.8 x 1 x 7.5 inches
Shipping Weight: 12.8 ounces (View shipping rates and policies)
Average Customer Review:
4.9 out of 5 stars
43 customer reviews
Amazon Best Sellers Rank:
#11,895 in Books (See Top 100 in Books)
I first discovered Abdurraqib's work via his twitter feed. I was thrilled to be able to purchase a volume of his essays to read in print, many of which predate my discovery of his work online. This book is FULL of essays and I really believe there is something for everyone in here. The breadth of Abdurraquib's tastes, interests, and insights is truly remarkable. The essays about my own personal favorites like Serena Williams and Carly Rae Jepsen still managed to surprise me, and I find myself nodding along to essays about artists I don't even listen to. To categorize this as a book of music criticism is both accurate and inadequate. Abdurraqib uses music as a vantage point through which to examine and interrogate the world he lives in, and I continue to be inspired by how deeply he feels both the music and that world. Anyone who reads this book is fortunate to have the chance to see the world through his eyes and to feel it through his words.
This is a book that everyone should read. I am a 70-year-old liberal white woman, and the things I should have known but didn't are sprinkled throughout this book. There's a lot of talk about rap and hip-hop in here, and I know little about it, but that doesn't matter. The essays about music speak to so many other things that are important that I couldn't put it down. I intend to give it as gifts to some people whom I feel need it the most.
This was one of my very favorite books of 2017, and it's the one that's stayed with me the most as I live, work, drive, and rest in Columbus, Ohio. The essays evoke and create this place while offering so much to readers outside of it: essays bringing together the personal and the critical (and showing us the ways in which they are the same) through locating music in place and memory.Also, I love this book as an object. The layout and cover are stunning--Two Dollar Radio makes gorgeous books. You will want to have and hold this one.
Great essays. The writer’s way of weaving autobiography into his music essays (on everyone from The Weeknd to My Chemical Romance) appeals to me greatly—isn’t that how we process music? through the lens of our own experience?—and the more strictly autobiographical essays are no less compelling. “My First Police Stop†is an especially poignant account of the first in a series of bogus police stops would make Abdurraqib feel. So there are searing meditations on being black in America, but this pleasingly restless collection aims to offer that and much more. Shout out to 2 Dollar Radio, the great small press who published this book and many other beautifully designed indie gems in recent years.
Raw and real. This book taught me about my privelege as a white woman, something I am always trying to be aware of. It was not written for me, but I still took away lessons from it.
I never thought I would read an essay about Carly Rae Jepsen that felt profound, but along came this book. Abdurraquib has a way of zooming out on pop music and pointing a critical eye toward its role in the zeitgeist. The cover is dope, the essays are personal, and I am desperately waiting for a crossover between Abdurraqib and Anthony Fantano so they can tell me exactly what to think about every album I listen to for the next 30 years of my life.
This is probably the only book I’ve bought this year that was the result of an intriguing cover image capturing my eye, an interesting description on the flap, and then a risk taken on an author I’d never heard of before. It turned out to be maybe my favorite read so far this year. Abdurraqib’s essays meander artfully between commentary on music, autobiography, and robust feminist commentary on race, gender, (drifting far from) religion, and the contemporary state of affairs in the USA. With great sincerity and skill, he dances between seemingly disparate topics, making profound and unexpectedly meaningful connections. Beautifully, compellingly, and refreshingly written. A joy to read.
How is it he can write essays about things I am not into that I cannot stop reading? The topic is not always up my alley, but the profound wisdom with which he examines the world around him is amazing. His writing makes essays about Carly Rae Jepsen transcendent. I never ever thought I would say that! He is a definitive voice I will follow for the rest of his writing career.
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