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Ebook All about Adoption: How Families Are Made & How Kids Feel about It

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All about Adoption: How Families Are Made & How Kids Feel about It

All about Adoption: How Families Are Made & How Kids Feel about It


All about Adoption: How Families Are Made & How Kids Feel about It


Ebook All about Adoption: How Families Are Made & How Kids Feel about It

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All about Adoption: How Families Are Made & How Kids Feel about It

Product details

Grade Level: 3 and up

Paperback: 48 pages

Publisher: Magination Press; 1 edition (October 1, 2003)

Language: English

ISBN-10: 1591470595

ISBN-13: 978-1591470595

Product Dimensions:

7.8 x 0.2 x 9.8 inches

Shipping Weight: 5 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

14 customer reviews

Amazon Best Sellers Rank:

#554,391 in Books (See Top 100 in Books)

I am a therapist and I bought this book because I was looking for something to use with a family who has a foster child they are considering adopting. I had read that this book covered foster care as well, so I thought it sounded like a good option. Unfortunately, I was not able to use it. The book begins with a warm and fuzzy intro about how an adopted child's biological family chose adoption because they wanted their child to have a better life than they could offer. The book mostly focuses on this type of situation, though it does mention that sometimes older children may have lived in a foster home or a group home before being adopted. Most foster children are in foster care because they have been removed from a situation of abuse or neglect. I was not comfortable using this book because the child I am working with was severely abused by his parents and I did not want to present a book that made it sound like most parents choose adoption because they have the child's best interest in mind. This would be hurtful and confusing for him. If you want to talk to your child about adoption and he or she was adopted at a very young age, this book would be great. I would not recommend it for older children adopted through the foster care system.

So, so helpful to my 7 year old (adopted at 23 months) who's really struggling with understanding the concept of adoption from why he's not with his birth parents through to the fact that he's not the only child in the world who's been adopted. We read this book together - a few pages at a time each night so that we could talk it over and absorb it properly. He said he loved this book once we'd gotten through it.

Cute book. Great explanations. Really targeted towards a middle-late elementary age.

Very well written, and explains the process of adoption.

We have a 5 year old son and are planning to adopt a child through county DHR. We looked everywhere to find a book that explains adoption to our birth child. This one did the trick. It is written to the adopted child but we were able to use it with our birth child. It is full of facts instead of just being a sweet family story. It also points out that children don't have to look like the rest of the family.

I am a therapist working with foster kids. I found this book to be very helpful to kids who are on the brink of being adopted. Children I've read this book with are attentive because they can identify with the information presented.

This book gives a brief overview of all types of adoption and the emotions that are felt by parents and children alike. It might be more valuable in a school library rather than a home bookshelf, as it is so broad it lacks personal connection.

I think this book is more appropriate for domestic adoption. There were a few things that bothered me such as that "usually" adoptive parents know something about birth parents. Most people I know through adoption groups(international) know pretty close to nothing about the birth parents.

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PDF Ebook Fires in the Mirror

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Fires in the Mirror

Fires in the Mirror


Fires in the Mirror


PDF Ebook Fires in the Mirror

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Fires in the Mirror

From the Publisher

Derived from interviews with a wide range of people who experienced or observed New York's 1991 Crown Heights racial riots, Fires In The Mirror is as distinguished a work of commentary on current Black-White tensions as it is a work of drama.

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From the Inside Flap

Derived from interviews with a wide range of people who experienced or observed New York's 1991 Crown Heights racial riots, "Fires In The Mirror is as distinguished a work of commentary on current Black-White tensions as it is a work of drama.

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Product details

Paperback: 208 pages

Publisher: Anchor; 1st Anchor Books ed edition (September 1, 1993)

Language: English

ISBN-10: 9780385470148

ISBN-13: 978-0385470148

ASIN: 0385470142

Product Dimensions:

5.2 x 0.5 x 8 inches

Shipping Weight: 8 ounces (View shipping rates and policies)

Average Customer Review:

3.7 out of 5 stars

12 customer reviews

Amazon Best Sellers Rank:

#494,343 in Books (See Top 100 in Books)

Great book. loved watching the documentary even more. The visuals are beautiful.

great read...i remember this time....

perfection

This seemed like a wonderful play back when it came out, but that might have been because Ms' Smith one-woman performance of the show was such a tour de force. If you're not familiar with it, it's a series of monologues centered on the famous Crown Heights riots and, while some of the monlogues hold up (and might, indeed, make god audition pieces for the right actor), the piece as a while doesn't have the force it once did.

great read

2.5 StarsOn August 19th, 1991, the motorcade of a Lubavitcher Hassidic rebbe was traveling through Brooklyn. While driving through the Crown Heights neighborhood, at 8:20pm, one car in the motorcade drove up on the curb suddenly, the car striking and killing seven year old Gavin Cato and also leaving his older cousin with a broken arm. Word quickly spread that a black child had been killed by a Jewish motorist. Some witnesses even said the driver appeared to be intoxicated. Three hours later and five blocks away from the site of the crash, a visiting Hasidic history professor from Australia was stabbed, dying at the hospital some hours later.The basic timeline of events:* August 19th, 8:20pm -- Seven year old black child Gavin Cato killed by car that jumps a curb* Same night, 11:30pm -- visiting Hasidic Jew professor Yankel Rosenbaum, with no connection to the death of Gavin Cato, is stabbed five blocks away from crash site.* August 20th, 2am -- Rosenbaum dies at the hospital from his stab wounds; later that day, Trinidad-American teen Lemrick Nelson, Jr. is arrested in connection with the stabbing. By August 21st, he is charged with second degree murder (but by October 1992 is acquitted).* August 21st -- funeral of Yankel Rosenbaum; that same day marks the start of days of rioting and looting throughout the Crown Heights community. That first day, 16 arrests and 20 police officers left injured.* August 22nd -- the arrest count during the riots rises to 107, the police presence increased to over 1500 officers.* August 24th -- 1500 protesters led by Rev. Al Sharpton and Alton Maddox march through the streets of Crown Heights.*August 26th -- funeral of Gavin Cato; Rev. Al Sharpton delivers the eulogy.* Violent acts and courtroom drama in connection with the deaths of Cato and Rosenbaum continue back and forth between the black and Jewish communities through 1992 and 1993, both sides wanting justice and vengeance.In 1993, Anna Deavere Smith crafted a one woman stage play depicting these events, compiled from the numerous interviews she did with more than two dozen Crown Heights community members, representing both sides of the story, as well as the impressions of high profile members of the black community such as Rev. Al Sharpton and writer Nzotake Shange. Smith pulls from the interview transcripts verbatim to create the monologues for the stage show, ending on the words of Carmel Cato, Gavin Cato's father.The early portions of the play explore the political and emotional environment that existed prior to the events of August 1991, while the later monologues get more into the course of events on August 19th itself (I was surprised to see the text here included one of the actual crime scene photos under one of the passages). Smith, in her foreword, writes of how it was difficult to get a clear, unbiased look of the events at the time when there was media bias from nearly every angle. It was her hope and goal to use the interviews, and later the play, to give a more honest, balanced display of this tragic and emotionally charged time. Also, prior to the start of each monologue, Smith gives contextual history such as when / where each interview took place, even what the person was wearing. For example, in regards to the use of the interview with rapper Big Mo, Smith notes that the interview used in the text was actually one done in 1989.While I appreciate Smith's unique approach to the subject matter, I'm not sure it entirely worked for me, personally. I was expecting for these passages to be more impactful. While some of them are quite good, there are others here where I was wondering about the relevance. The words themselves didn't quite hit the mark, so I did a watch of the stage show itself. While better, even there something was falling short for me. Again, I can appreciate and acknowledge the work that clearly went into crafting this show, but the execution ... something was a little off for me. It didn't always strike me as unbiased a portrayal as Smith claimed she was aiming for and some of the acting did come off as at least a little bit too caricatur-ish.

The play captures the human drama from the highly charged, out-of-control situation in Crown Heights, Brooklyn, over three days of rioting in August of 1991. One of the play's many apoplectic characters says, "There ain't no justice," in response to another character describing separate groups of angry mourners for both Gavin Cato and Yankel Rosenbaum, with each group regarded as being "at a political rally rather than a funeral."Another character talks of "the situation that moved from simplicity to sophistication...to become a powder keg." It is fascinating to hear and watch as each character reflected that powder keg experience uniquely. The play revealed that each one of us is, in fact, the accumulation of our life's experiences, at any given moment in time.As the viewer watches the rumors spread, there is the realization that, "There always is the story. And then always there is the story about the story."In a sense, Fires in the Mirror shows how one story is transformed and extended by the Crown Heights citizens into other stories, with each story being somewhat new, usually nuanced, and uniquely shaped by the circumstances surrounding the story-teller's accumulated life experiences. The accumulation is each individual's life. No other individual in the whole world can possibly have the exact same accumulation of experiences. That's a practical example of what diversity looks like.In a certain sense, all involved are at fault in creating the riots. In quite another sense, the play makes clear that no one is at fault, because at any moment the community is prone to erupt into the confusion and violence that comes from individual bafflement and fear from an unexpected occurrence. In this case the occurrence is the auto crash leading to the murder that evening. The play says it is hard to assign blame. No one but no one wanted to have seven-year-old Cato killed in the auto accident. That evening, the teenagers didn't really want to kill Yankel in retaliation. Rather they were reacting, by automatically and unthinkingly expressing their anger and their oppressively inarticulate grief through knee-jerk violence.Compelling--that one word describes the play's environmental aesthetic of eruption, noise, and confusion, all of which lead by the end to some clarity, yes, but also to stupefied and inexplicable human silence. That muted end result, the play shows, comes from a lack of absolute certainty regarding something important yet ultimately mysterious.There is a great deal to be said for undertaking an exploration of the meaning in the moral ambiguity and confusion prevailing within the conflicted Brooklyn neighborhood, the confusion initiated by the two understandable, if terrible, deaths. In this instance, one might ask this: If we are not to assign blame, then what is the human alternative in these particular circumstances of murder leading to the madness of mass mayhem.Prehaps after all it is forgiveness.As the audience listens to each interpretation of the unfolding story--of what next happened and why--viewers comes to see that each point of view has some validity. There is never merely two sides to a story, that proverbial and simplistic black and white dichotomy. Humans are too complex for easy categorization into a "this" or a "that" camp or an "us vs. them" position. In truth there are often 10 or 15 sides to a story...at least.The basis of each character's expressed perspective seems to derive from each character's absolute, even dogmatic, belief in the virtue and rightness of his or her own special position. And that "to-the-death" view necessarily derives from each character's accumulated life experiences in these our troubled and conflicted times of racial and religious tension. In a limited sense, that's a kind of certainty in a very uncertain world. It's the sort of certainty that comes from an individual's unquestioned belief in lived experience. But in a clearly profound way, the play asks the viewer to expand the cultural and social understandings of "lived experience" and what might result from external expressions of that lived experience.Yet it is true that no virtuous act is as virtuous from the standpoint of our friend or foe as it is from our own standpoint. Therefore we must be saved by the final form of acceptance and love, which is forgiveness.For me, the play brings into dramatic relief that idea of forgiveness as one humane way--whether in Crown Heights and elsewhere--of dealing with cynicism and despair. Those two attitudes of hopelessness seem automatically sometimes to snap into being from the confusion of unresolved social and moral ambiguity.Forgiveness is one answer to the mess. Genuine forgiveness is one expression that can help relieve seemingly irreconcilable tension and conflict. Forgiveness is usually tough--that much we reasonably know. Forgiveness demands courage, heart.Jim Boushay Metro Chicago Resources Unlimited Foundation

In Fires in the Mirror, Anna Deavere Smith says, "A character from a play does not have a visible identity until the actor creates a body for that character." She goes on to explain that her goal is "to show that no one acts like anyone else." She does this by focusing on the details of her characters, the physical and liguistic subtleties that make people unique. This issue of "personality" of character is strongly emphasized in her work. When interviewing, she doesn't simply record the dialogue of her characters; she analyzes her characters, seeking to discover the true identity or identities of the people she portrays. What she discovers--and shares with us--is that her characters are not only three dimensional, but three dimensional in a multiplicity of roles. When she's successful, as she is in portraying the Jews and Blacks of Crown Heights in 1991, the underlying racial conflicts and hatreds and biases of her many-masked characters rise to the surface. This is Anna Deavere Smith's craft: She doesn't play a role. She plays a life playing a role.

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Download 2018 Lippincott Pocket Drug Guide for Nurses

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2018 Lippincott Pocket Drug Guide for Nurses

2018 Lippincott Pocket Drug Guide for Nurses


2018 Lippincott Pocket Drug Guide for Nurses


Download 2018 Lippincott Pocket Drug Guide for Nurses

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2018 Lippincott Pocket Drug Guide for Nurses

Product details

Paperback: 576 pages

Publisher: LWW; Sixth edition (October 11, 2017)

Language: English

ISBN-10: 1496371933

ISBN-13: 978-1496371935

Product Dimensions:

3.1 x 0.8 x 5 inches

Shipping Weight: 4.8 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

172 customer reviews

Amazon Best Sellers Rank:

#60,637 in Books (See Top 100 in Books)

I bought this book for nursing school clinical. This book is conveniently small. You can carry it in your pocket on the floor. If you're taking tons of resources to clinical it's great to have something that won't break your back.The only con is its not as great at davis drug guide. While doing medication sheets I found that information was missing (like pt education, nursing considerations, and desired outcomes.) When that would happen I'd pull out my phone and search for the Davis info.But really this book is great if you're starting to pass meds and you need to know what med you're giving and why. So you can pull this tiny book out of your pocket (since phones are usually not allowed in pt care areas). Great quick reference.

This book is awesome. It fits right in my scrubs pocket with no problem, and gives all the info I need while on the floor. This is so much better than note cards.

People on here complaining that it is too small. Its supposed to be small because its a "pocket" guide to be used on the spot in a clinical setting!!! Someone said it was not for nursing school students but I am a Junior 2 nursing student and it has helped me tremendously whenever my clinical instructors quiz me on medications. This is a book for clinical or for quick and easy access. This is not meant to be used for thorough in depth assignments. Seriously.. its in the name...

The kindle version of this has paid for itself a dozen times over already in the last few months. I take this puppy on my kindle every single time my unit goes to the field. As a junior medic this offers exactly what I need for pinches when you have a question about a "less common" medication someone is taking or if I'm trying to broaden my horizon. With the Kindle Paper White having a 3-4 week battery life too, I basically have as much time as I need to get the information I want. Compared to the already small paper copy of this guide, the kindle version fits in a smaller place for those that may be limited on all what they can carry. I would highly recommend this Drug guide over some cheaper/less known names.

As a nursing student this was desperately needed for carrying around in my pocket (it's the PERFECT size for that) but it doesn't contain all the info I need to complete classroom required drug sheets (still have to use other sources)...Still glad I purchased it since it's so portable.

In need of a small drug book, I was pleased with the size of this book for my clinical days. As most of us have to use our apps that we have downloaded on our phones which you all know you are not welcome to have out while on the floor or carrying around that large drug book which can be a nuisance. Be aware the print is small but the book is small but legible.

Perfectly sized for a cargo or coat pocket. Contains basic info on just about any drug you'll encounter, including trade/generic names, routes, indications, contraindications, dosing, side effects, etc. For the price I think it would be very hard to beat. I recommend this for anyone who needs access to drug info such as professionals or students.

I have drug guide apps on my phone that I prefer when at work (I'm a VN) but now that I'm back in school I can't pull out my phone on the floor.. this was perfect. It's small enough to fit in a scrub pocket and has a lot of drugs in it. There was 2 times I couldn't find the drug I needed in this little book though. All in all- I would recommend if having a drug guide on your phone isn't an option for you but at work I still prefer to use my phone.

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Free Download , by Stanley S. Litow

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, by Stanley S. Litow

Product details

File Size: 583 KB

Print Length: 195 pages

Publisher: Wiley; 1 edition (May 9, 2018)

Publication Date: May 9, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07CZRZYLZ

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The Challenge for Business and Society: From Risk to Reward offers a compelling case about the significant, and often transformative role that corporations can play in society, but only if their ethics and values are given a prominent role in company operations. The book clearly outlines, case by case. the positive leadership role that some companies have played historically and currently, while detailing the bad ethics and bad practices of others.But most exciting is the clear path forward that the book outlines for a more systemic and scalable set of actions that business and government can take together to not just address problems, but solve them, making a real impact. This is an important read whether you're currently getting your MBA or you're a CEO, and every one in between. I can't recommend it highly enough.

By Al BakerI cannot get enough of Stanley S. Litow's narrative from the front lines of American corporate culture. Businesses that employ us, inform us, serve us in ways large and small and open pathways for creatively navigating these times have an amplified voice in our world. Repeatedly, Mr. Litow's dispatch showcases the unique ways corporations can set moral guideposts on the path to a shared benefit for society. Whether in education, the environment or social justice or other issues, it is the way businesses embrace their role, the "how" specifically, that resonates repeatedly in reading Mr. Litow's inspired words. His book is a gift to take in, to consider, and to read again.

This is an easy-to-consume assessment of how business leaders need to focus on their contributions to society, and how those efforts are more than just "checkbook philanthropy." The best companies, like IBM and Chase, seem to know how to contribute to the long-term needs of education, health care, and economic development. Very readable, and very relevant to our society today.

A great read, especially in these times. An informative, entertaining discussion of how business can make a measurable difference for society, while also being a "business." This history of corporate social responsibility is particularly interesting, and the examples of effective efforts under way today offer hope!

This book identifies the many areas of society in which business has had, and continues to have, a remarkably positive affect. In today’s world, conscious capitalism is becoming the new norm. Litow's book substantiates that fact very well.

This is THE book for businesses to follow is they want to be part of the solution to the challenge of creating jobs, and growth as well as creating much needed corporate social responsibility programs. This is an essential guide for anyone in business in the 21st century.

A terrific guide for executives charting a path in corporate social responsibility and a great read for early practitioners and students alike!

Stan Litow, throughout his career, has had a knack of getting groups of people to find their common interests and unite around them, to solve problems. This book encapsulates his philosophy, showing how corporations can work to serve the common good and create innovative solutions. Hopeful, helpful, a must-read in these difficult times.

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